"you dont know me, you just met me, well if i couldnt have it..silly rabbit, why ya sweat me"
Hey Mah! Whats for dinner? Go up your nose and pick a winner!
"shut up slut chew on this mushroom"
Don't talk about death, I've got too much life to live, To many orders to give.
Quiet! SHH hush ya mouth, silence when i spit it out, in your face, open your mouth, give you a taste..HOLLA!
Love changes, a thug changes, and best friends become strangers.....
You think your shit is butter? Hop in front of this toast.
I'ma live my life until the last sin, then resurrect through the birth of my son and live again.
"you dont now me, you just ment me, you wont let me, well if i couldnt have it..silly rabbit why ya sweet me"
Kandinsky was right to appreciate CÈzanne. The emergence of triangularity in the ëLarge Bathersí was an unconscious step in the right direction, a step about to break through the crust of the futureís pictorial surface. However, agile and muscular as it may have been, CÈzanneís triangle could not shake the pyramid anchoring Raphaelís composition. The dogged perseverance of this pyramid illuminates the mystical dead weight which Kandinsky and all abstract painting following him have always had difficulty accounting for, and which in the end we, if not they, cannot live without.
